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Image from page 252 of “The essays of Leigh Hunt” (1903)
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Identifier: essaysofleighhun00hunt
Title: The essays of Leigh Hunt
Year: 1903 (1900s)
Authors: Hunt, Leigh, 1784-1859 Symons, Arthur, 1865-1945, ed Brock, H. M. (Henry Matthew), 1875-1960 illus
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Publisher: New York, E.P. Dutton and Company
Contributing Library: The Library of Congress
Digitizing Sponsor: Sloan Foundation
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modicums ofcold water! O true virtue and courage ! O sight worthyof the Timoleons and Epaminondases ! We know not howlong we remained in this error ; but the first time we recog-nised the white devil for what it was—the first time we sawthrough the crystal purity of its appearance—was a greatblow to us. We did not then know what the drinkerswent through ; and this reminds us that we have omittedone great redemption of the hackney-coachmans character—his being at the mercy of all chances and weathers.Other drivers have their settled hours and pay. He onlyis at the mercy of every call and every casuality ; he onlyis dragged, without notice, like the damned in Milton, intothe extremities of wet and cold, from his alehouse fireto the freezing rain ; he only must go any where, at whathour and to whatever place you choose, his old rheumaticlimbs shaking under his weight of rags, and the snow andsleet beating into his puckered face, through streets whichthe wind scours like a channel.
Text Appearing After Image:
GOING TO THE PLAY AGAIN With the exception of Oberon we have not witnessed atheatrical performance till the other night for these six orseven years. Fortune took us another way ; and when wehad the opportunity we did not dare to begin again, lest ourold friends should beguile us. We mention the circum-stance, partly to account for the notice we shall take ofmany things which appear to have gone by ; and partly outof a communicativeness of temper, suitable to a Companion.For the reader must never lose sight of our claims to thattitle. On ordinary occasions, he must remember that weare discussing morals or mince-pie with him ; on politicalones, reading the newspaper with him ; and in the presentinstance, we are sitting together in the pit (the ancient seatof criticism), seeing ivho is who in the play-bill, and hearingthe delicious discord of the tuning of instruments,—theprecursor of harmony. If our companion is an old gentle-man, we take a pinch of his snuff, and lament the loss ofBa
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